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The Dark Fantastic

8 Nov

Following on from last month’s post on the lighter side of urban fantasy, I will now turn to that sub-genre of fantasy whose protagonists initially believe themselves to inhabit a world of consensual mundane reality then to their terror learn otherwise – the Dark Fantastic. In what follows the term dark fantasy is used to describe that particular sort of urban fantasy which standardly consists of a series of thrillers/detective stories that are set in, and whose plots are determined by, a mundane world entirely, but not always visibly, permeated by the worlds of faerie or the supernatural. A product of the 1980s and authors such as Clive Barker and Neil Gaiman, Dark fantasy could in a sense be regarded more as an evolution of horror than of fantasy. It also includes what is in many ways a sub-sub-genre within Urban fantasy, Paranormal Romance, which dilutes the peril of the undead with romantic, vampiric anti-heroes. The protagonist of standard dark fantasy makes the discovery of the real, non-mundane nature of the world as an existential crisis, and thereafter learns more in the course of solving puzzles, or acquiring refinements of technique for living in such worlds. Whether these protagonists are wizards, like Jim Butcher’s Harry Dresden, or exorcists, like Mike Carey’s Felix Castor, they are cousins to Chandler’s Philip Marlowe and inhabit the same mean streets, even if they do so alongside vampires, ghouls and the more sinister denizens of faerie.

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