Tag Archives: Charles de Lint

The Light Fantastic

11 Oct

This is the first of two linked posts about the sub-genre of urban fantasy, in which the tropes of pastoral or heroic fantasy are brought into a modern setting. Within the elements common to all urban fantasies – a city in which supernatural events occur, the presence of prominent characters who are artists or musicians or scholars, the redeployment of previous fantastic and folkloric topography in unfamiliar contexts – there are two fundamental strains of urban fantasy. In the first, a more or less recognisable city – New York or London, Minneapolis or Galveston, Newford or Bordertown – is revealed to be in contact with the realm of Faerie, or some magical realm, and the resultant narrative redeploys the tropes and characters of older fairy tales and folklore, forcing them into collisions with a contemporary urban milieu. This I have termed the ‘Light Fantastic’, as it tends to involve a strong element of wish-fulfilment. In the second, what I have termed the ‘Dark Fantastic’, a greater debt is owed to the gothic or horror genre – the distillation of mankind’s greatest fears and nightmares rather than hopes and dreams – but more on that next time.

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Urban Faerie

23 Feb

Exactly what is it that allows the fairy tale, a story archetype that by all rights should have disappeared with powdered wigs and petticoats, to survive, and even thrive, in the new millenium? Perhaps it’s because they concern important lessons – warnings, morals, aspects of the unknowable, ancient folk wisdom – or maybe it’s just for their pure entertainment value. Whatever the reason, fairy tales, in one form or another, are still enjoyed today. Whether it’s classics collected by the Brothers Grimm, Andrew Lang and Charles Perrault, or new tales, such as Charles de Lint’s Newford stories or Neil Gaiman’s tales of American Gods; fairy tales, stories of fantasy, myth and legend, are still creating wonder and magic for people around the world. Perhaps this is why they survive, because no matter when or where a fairy tale is first told, they embody universal images and truths that, over the centuries, have passed beyond time or place, and become one with the vast tapestry of human consciousness. But naturally, as times change, the stories people tell also change. Cities give rise to their own types of stories – the urban legends that make the rounds from time to time, stories that utilize elements of the old ways, but with a metropolitan spin on them that just didn’t exist until the modern city was created.

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Charles de Lint’s Newford

21 Dec

Charles de Lint’s urban fantasies, including Moonheart, Greenmantle and Yarrow, have earned him a devoted following and critical acclaim as a master of contemporary mythic fiction. At the heart of his work is the ongoing Newford series. Familiar to De Lint’s readers as the setting of the novels Memory and Dream, Someplace to be Flying and The Onion Girl, among others, Newford is the quintessential North American city, tough and streetwise on the surface and rich with hidden magic for those who can see. The fictional city of Newford could be any contemporary North American city… except that magic lurks in its music, in its art and in the shadows of its grittiest streets, where mythical beings walk in disguise. Newford is populated by a regular cast of characters not too different from you or I, each looking for a bit of magic to shape their lives and transform their fates. There is Jilly Coppercorn, painting wonders in the rough city streets; Geordie Riddell, playing the fiddle while he dreams of ghosts; Angel gathering the waifs, strays, poor and lost to her homeless shelter; Holly Rue and her antique book store complete with hobs and brownies and a dozen others. Their lives intertwine with the fey beings with whom they share Newford – gemmins who live in abandoned cars, mermaids who swim in the grey harbour waters; desert spirits who crowd the night; crow girls; wolf men; vengeful ghosts and many more. I challenge anyone who has read any of the Newford books or short stories not to fall under De Lint’s unique spell.

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