Tag Archives: Star Wars

The Music of John Williams

14 Apr

With a career spanning over six decades, John Williams has composed some of the most popular, recognizable, and critically acclaimed film scores in cinematic history, including those of the Star Wars series, JawsClose Encounters of the Third KindSupermanE.T. the Extra-Terrestrial, the Indiana Jones series, the first two Home Alone films, Hook, the first two Jurassic Park films, Schindler’s List, and the first three Harry Potter films. Williams has won 24 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards (with 51 Academy Award nominations, Williams is the second most-nominated individual, after Walt Disney). Williams also composed the score for eight of the top 20 highest-grossing films at the U.S. box office (adjusted for inflation). Despite this awesome CV, or perhaps as a contributory factor, Williams has a style and approach almost unlike any other film composer. While skilled in a variety of 20th-century compositional idioms, Williams’s most familiar style may be described as a form of neoromanticism inspired by the late 19th century’s large-scale orchestral music—in the style of Tchaikovsky or Richard Wagner’s compositions and their concept of leitmotif—that inspired his film music predecessors. Williams is associated with a who’s who of history’s greatest film-makers, including Steven Spielberg, for whom Williams composed music for all but three of his feature films. However it is another cinematic legend – George Lucas – for whom he reserved perhaps his greatest achievements in the form of the soundtrack to Star Wars, which was preserved by the Library of Congress into the National Recording Registry for being “culturally, historically, or aesthetically significant”.

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Star Wars The Force Awakens Review – No Spoilers

22 Dec

 

Across the Stars

9 Nov

When George Lucas first brought Star Wars to the screen way back in 1977 it was for most of us only the first tiny glimpse into a universe which has, since then, only continued to expand. Nearly every scene in all six Star Wars films hints at a wealth of background detail. Heroes and villains ride in starships (both gleaming and grimy), aliens wield uniquely crafted weapons, and the histories of various cultures are indicated by distinctive architecture on numerous worlds. Although many background characters, devices, vehicles and structures were not identified by name on screen, most have acquired names and back-stories by way of the ‘Expanded Universe’ of Star Wars novels, reference books, comics, toys and games. Much has transpired to illuminate the various nooks and crannies of that far away galaxy that Lucas first revealed back in 1977. The much-loved classic Star Wars trilogy introduces an unlikely hero in the form of the ‘farmboy’ Luke Skywalker, who has never left his sleepy desert home planet of Tatooine. He has grown up in a dark time in a galaxy gripped in the iron fist of Emperor Palpatine and his foremost disciple, Darth Vader. In contrast, the much-maligned prequel trilogy travels back to the beginning of the Skywalker family saga, when the Old Republic still stands. This is a time populated with new characters, whose worlds are replete with gleaming spacecraft, intricate clothing, and exotic-looking robots. With the forthcoming release of a new sequel trilogy, the universe of Star Wars promises to expand still further, so who knows what the future holds for the franchise?

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The Unifying Force

28 Jun

It’s rare to find a film as famous, yet universally hated, as 1999’s The Phantom Menace. Even now, the mere mention of the film is enough to attract derision from critics and something akin to pure hate from fans of the original Star Wars trilogy. Why has it attracted so much criticism, and is this justified? Can anything good be said about Star Wars: Episode One? Well, since I always like to at least start my posts by saying something positive, let’s look at ‘The Light Side’. First off there was the trailer, which seemed to promise everything that we ever craved from a new Star Wars film (it’s a shame they had to blow it by adding 132 minutes of padding!). Then there are the backdrops – the grandeur of Theed and the Art Deco wonder of Coruscant. There is the CGI in the first journey to the underwater city – a fine fantasy moment that is truly breathtaking. On a girly note, there is Queen Amidala’s geisha get-up and a range of nice frocks. Lastly, two words: Darth Maul. Unfortunately, we now have to look at ‘The Dark Side’.

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